still not the stuff we are made of
January. 31. 2012

Revisiting an old post from September 15th 2009…two years older transcendence still evades, but the sorcery is ever more delightful.
the highway series
October. 25. 2011



tail lights, billboards, street lamps….fueling my timeless dance with displacement, wheeling out of Boston on a whim
“Never wish away distance. Never wish away time.”
-Bruce Weber
time space and i
December. 27. 2010

In the end, I may just be a colourist. Colour always spoke and I learned to listen.
Have you ever pondered the porosity of the universe?
its lines, its breadth, its breaths, its slipping through your being?
ever questioned the nature of existence? the lack of a beginning, the lack of an end?
“Time,” I read in Vedic texts “is nothing but a modification of the mind.”
Ironically, my mind will be thinking about that a long long time.
Mostly in colours…
mytimemachineisyourtimemachine
September. 16. 2010
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look up.
breathedrift with me through the time sky
my time machine is your time machine
my eyes like yours
parse through eons
gathering tales from infinity in whispers
can you hear?
did you know when we were?
does it matter?
but-
who can grasp the expanse of the universe?
but-
who can refuse to try?
…long exposure, looking up from the Koibab Forest up at the Grand Canyon rim before the descent.
A not-so-stellar-stellar shot, but not bad for a first, right?
Thank you Cole Rise: antimethod, for a shot of confidence. At least it made me try…
models of the solar system
August. 31. 2010
Resonance- its a rare and beautiful thing…for years I’ve been in love with a poem by a classmate from Andrei Codrescu’s poetry class- back when he played puppet-master and I was tied to Anne Sexton….oooh! the fire there!
I only remembered parts of it- which I quickly jotted down so I wouldn’t forget- and pieced into the beginning of my portfolio.
Carolyn Chun sent me the whole poem this evening, and what is beautiful must be shared, so here it is in all its glory…
models of the solar system
1.12.07
cbcfrom her cordoned window,
a girl observed in the night sky a lunar eclipse,
a round shadow cast by a round planet.begin. premise: perfection. to this end symmetry
of form, elegance of rhythm. centrality of perception.
concentric spheres: earth inside the sphere containing
the orbit of the moon, inside the sphere containing
the orbit of Mercury, then Venus, the sun, Mars,
Jupiter, and Saturn, all inside the sphere containing the
fixed stars. beyond the stars heaven, purgatory, hell,
eternity pulled taut in every direction (breathe into it).what’s the expiration date on this? better use up the
ground beef before it goes bad. the Vidalias
in the bottom drawer have begun to rot—why
did we get so many? why did you leave? strange—again. premise: perfection. to this end alignment
of observation with intuition. Copernicus’ heliocentric
model, in which circular orbits are unchanging, moving
forward and backwards in time to encompass eternity with
each gently sweeping revolution of round shouldered planet.how long can I believe in the perfect circles?
roundfaced moon, center of a Black-Eyed Susan,
zero’s empty circle, ripe orange circle—expiring
in the crisper. wasn’t infinity better to hold on to?
the circle drawn in the sand? the circular stones
falling from hands? and you, my prodigal circle.again. premise: perfection. to this end simplicity of
practice. Keppler’s elliptical orbits describe the winding
solar system.but what has been always and will be always are
clear—the fixed orbits, from periapsis to apoapsis,
eyes meeting and then moving away. what has the
ability to hold you except the universe? what is your
trajectory besides momentum? what keeps you
burning—do you know I am sometimes awake all night?again. premise: perfection. to this end completeness
of thought. Einstein’s general relativity bending of
spacetime. the flavor of unification, the taste of food
consumed in a dream. what can we do? how can we
know this is true? the universe, we are told, is
expanding at an increasing rate into dark cold unknown.
that beautiful sea. that endless night. unquenched drowning.-Carolyn Chun
wabi-sabi
July. 23. 2010
In third year of arch school I drew the Ise Shinto Shrines in Ise, Japan for an investigative study. I kept trying to capture the form and compose the drawing just-so, but it took a while…to understand the faith, and then delineate it honestly, was a very enjoyable challenge.
wabi-sabi in Japanese translates into imperamanence…the transient, cyclical order of life death and rebirth/renewal in nature.
They disassemble the whole temple complex every 20 years and rebuild an exact replica of it on the adjacent plot of land so that the shrines are neither new nor old.
I guess that makes them timeless.
There you have it- one elegant way of suspending the wheels of time, or at least taming them to your tune…
The drawing is pen on vellum with an underlay of graphite shadows…and the composition portrays the order inherent in the subject at hand…tracing footsteps of the solid-void relationship these spatial carvings leave in the forests of Ise.
This year, I hope to see these shrines in person….to smell and touch the forest, and relish the carpentry- the ancient, immaculate, economy of this wood craft that has withstood everything from eroding belief systems to shattering earthquakes.
October will bring Japanese adventures, stay tuned for pictures…more about that later!
blue
August. 29. 2009

wait, wait my love there
is time to tell-
let there be rest between us
a closing of this chasm
in the screwiness which is life- save its magic
I want to touch
your pretty tales




